AU - Yavari, Fatemeh AU - Vafaei, Abbas Ali TI - The Analysis of Archetype and Theosophical Ultraism Symbols for Golshane Raz with Approach to Jung’s Theory PT - JOURNAL ARTICLE TA - iauh-erfan JN - iauh-erfan VO - 8 VI - 31 IP - 31 4099 - http://erfaniyat.iauh.ac.ir/article-1-312-en.html 4100 - http://erfaniyat.iauh.ac.ir/article-1-312-en.pdf SO - iauh-erfan 31 AB  - Art and literature are the most important evidence of human‟s civilization and culture that have unbreakable bond with deep layers of unconsciousness. Archetypes base on Jung‟s theory are the images, patterns and symbols that rise out of the collective unconscious and have left the similar and common concepts in human‟s unconscious in myths and cultures over the time. In Golshane Raz, the archetypes rise out of the collective unconscious. The archetypes in the Islamic theosophy is the standing property. The archetype in this ancient couplet-poems (Mathnavi) is interpreted as the archetypes: sun, sea (water), fire, mirror and journey. Jung's archetype in Islamic mysticism, permanent archetype is called. The concrete and abstract ideas in Golshane Raz is originated of Qurans and hadiths. Analyzing the mystical symbols was an opportunity that the gnostic poet manifests his education treasure. In Golshane Raz in addition to the key role of symbols, the salient portion of deviation and defamiliarization is effective in more highlighting the verses. In some couplet-poems, the symbols are replaced with the reality. The similarity of eastern and western symbols in concepts are ambiguous. The gnostic points to some part of reality with paraphrase and interpretation in this couplet-poem(Mathnavi). CP - IRAN IN - Islamic Azad University of Saveh, Saveh, Iran. LG - eng PB - iauh-erfan PG - 159 PT - Research YR - 2017