Volume 10, Issue 38 (5-2019)                   عرفانیات در ادب فارسی 2019, 10(38): 124-152 | Back to browse issues page

XML Persian Abstract Print


Download citation:
BibTeX | RIS | EndNote | Medlars | ProCite | Reference Manager | RefWorks
Send citation to:

babasafari A, sotodeh G. بررسی و تحلیل درون مایۀ عرفانی در ترانه سرایی. عرفانیات در ادب فارسی 2019; 10 (38) :124-152
URL: http://erfaniyat.iauh.ac.ir/article-1-454-en.html
1- , Babasafari@gmail.com
Abstract:   (1394 Views)
In this essay, the mystical song in songwriting is examined, the oldest Persian poetry has been found among the songs. The song is a general term used to refer to various types of poetry melodies or music accompanying, in particular Fahlaviyat, couplet, quatrain, and folkloric song. Mysticism is one of the most profound thought and philosophical schools that could be expressed itself in our song. First, we define the song and its characteristics and its course in the past and today, and then we will focus on the characteristics of the rhythm and language of the mystical songs. The results show that within the mystical context, has formed a significant part of the songs. The language of these songs is symbolic and music has been made mostly based on the words of these songwriting.
Full-Text [PDF 376 kb]   (256 Downloads)    
Type of Study: Research | Subject: Special
Received: 2018/11/25 | Accepted: 2019/02/25 | Published: 2020/01/9

Add your comments about this article : Your username or Email:
CAPTCHA

Send email to the article author


Rights and permissions
Creative Commons License This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

© 2023 CC BY-NC 4.0 | Erfaniyat Dar Adab Farsi

Designed & Developed by : Yektaweb