Mr Hamid Javaherian, Dr Hossein Azarpeyvand,
Volume 10, Issue 38 (5-2019)
Abstract
Crying is one of the main issues in the mystical literature of Iran, especially in the writings of Sana'i, the first poet who introduces mysticism into poetry. Types of burns and baits Need, prayers, happiness, sadness and mourning, directly or indirectly related to crying. Study of sorrow and joy is the concerns of seekers in the field of literature, because sometimes we encounter cries of joy and happiness. So it deserves to be done with proper research. This article deals with crying in the texts of the Sana'a mystical order and states that when and how the cry is creeping on this great poet, the Sanai is a poet who is an admixer of mysticism and Sufism. In his works, the subject of crying is one of the characteristics that the way of love has been addressed. Of course, Sanai is not a poet of love and affection in general, and the aspect of wisdom and sharia and its accessories are of greater interest
Maryamalsadat Sohofi, Hosein Azarpeyvand, Mohammad Salatian,
Volume 11, Issue 43 (8-2020)
Abstract
From the earliest centuries of Islamic history, mysticism as one of the pillars of knowledge, has appeared in the behaviors and writings of many Muslim scholars. Commentators of the Holy Quran were among those who used this sea of knowledge in interpreting the verses of the Quran. The mystic of the fifth century AH, Khwaja Abdullah Ansari, in his prose and in his written of prayers, points out ethical and educational issues in addition to the mystical themes and material practices. In the thirteenth century, a Shiite mystic named Safi Alishah wrote a poetic interpretation of the Qur'an, expressing mystical themes in a practical way while at the ame time sometimes, he gave them philosophical themes. The reasoning of the heart and refernce to the concept of heart in this poetic interpretation can be well observed. One of the important contexts for expressing the mystical themes of the Qur'an is Surah Yusuf (AS). Based on the basic question of the degrees of commonalities and differences between the mystical views of the fifth and thirteenth centuries (AH) interpretations of the noble verses of the Qur'an, the present article has made a comparative study of the mystical themes of Surah Yusuf (AS) in these two interpretations. The imporatnt point is that these interpretations have different characteristics that are related to two different periods of Islamic mysticism
