Showing 6 results for Taheri
Ali Taheri, Masud Motamedi,
Volume 2, Issue 7 (ADAB va ERFAN Persian Language and Literature Quarterly 2011)
Abstract
Persian and Turkish literatures reflect old affinal ties. Enjoying rich foundations of religious teachings, the two have been interacting throughout the centuries. As a result of such blessed interactions, many eloquent poets have tried their hands at writing both Persian and Turkish poems, among whom, the thirteenth-century poet, Mirza Abolhassan Raji Tabrizi, is, undoubtedly, one of the greatest bilingual poets in Azarbayjan whose eloquent, intriguing chants in Persian and Turkish show his outstanding poetic abilities. Raji’s poems have greatly been influenced by the Persian language and mystic literature as far as poetic diction, imagery, form and style, subject and theme are concerned. This influence can specifically be traced back to Hafiz’s poems. Therefore, analyzing Raji’s mystical understandings/conceptions of Hafiz’s poetry, the present work aims at finding and highlighting the different aspects of such influences in Raji’s Divan(collection of poems).
Mahin Tahmasebi , Javad Taheri,
Volume 2, Issue 8 (ADAB va ERFAN Persian Language and Literature Quarterly 2011)
Abstract
The myth of the Fall of man from the Garden of Eden down to the purgatory of alienation has been variedly reported in both islamic and nonislamic interpretations. In Christianity, humankind is, in essence, sinful. In the Quran, also, there is this revolt and sinfulness in humankind nature. However, the two narratives lead to different endings. According to the Christian narrative, Chris is sacrified to compensate for the human Original Sin. However, based on the Quranic account, Pen, in the very beginning, as a result of a holy fate, leads to the salvation of humankind and his/her sin is forgiven.The fusion of meanings, the similar original nature, and the dissimilar eventual fate have motivated the researchers to analyze the Fall of man’s myth in the light of hermeneuticism and intertextuality in Forough Farokhzad’s poetry.
Mohammad Ahi, Mohammad Taheri,
Volume 3, Issue 9 (ADAB va ERFAN Persian Language and Literature Quarterly 2012)
Abstract
The most important studies in every science, is study of its historical evolution. By means of this study, the formation and various stages of that science, is characterized and ups and downs of it will appear.
Sufism is an important part of Persian language and literature and without this analysis; understanding and study of language and literature especially in the field of mysticism would be incomplete.
The study of evolution of Sufism is a subject that is less paid or has not been studied in this way. Therefore, addressesing this need, this paper, has revealed the important characteristic of Persian language and literature via studying Sufism , especially .
Javad Taheri, ,
Volume 3, Issue 11 (ADAB va ERFAN Persian Language and Literature Quarterly 2012)
Abstract
Monzavi is a one of the main innovators of new Lyric considering the values, outstanding and unique capabilities of classical poetry, he has ornamented his poetry with the techniques and delicacies of the modern Poetry. In composing his sonnet, he has used the techniques and innovations which distinguish the appearance of tradional Lyricisin and created lyric poem in a new Way of singing. This article intends to review innovations and special features of his poems
Ph.d. Hamid Taheri, Ph.d. Maryam Ghafouriyan,
Volume 11, Issue 42 (5-2020)
Abstract
The rise of mysticism from which many meanings, mystical experiences and teachings had entered the field of language led to the formation of a specific language called mystical language. It is divided into two kinds: expression and gesture. During his journey to truth, a mystic achieves ideas, facts and experiences that could not possibly be expressed other than in simple words and this is because of the nature of this kind of education. Mystics, however, by using all the capacities of language have transferred their mystical finding in the limited forms of words to each other. The great mystic of sixth century, Ahmed Ghazali, as one of the pioneers of Islamic mysticism, provided mystical ideas and experiences through his innovative interpretations of the cult in his great books. In this study an attempt is made for reviewing his opinions about language and way of speaking and for investigating his works linguistically. The results show he benefits from all the capacities there are in gesture and expression of language to explain ideas and experiences as well as their spiritual experiences that are hard to express through words.
Deeb Alsaleh, Ph.d. Mahsa Rone, Ph.d. Reza Samizadeh, Ph.d. Hamid Taheri,
Volume 12, Issue 46 (3-2021)
Abstract
Love is one of the main elements of Islamic mysticism and the main stimulus for the manifestation of truth in the world of possibility. This element plays an essential role in the emergence of the manifestations of creation, worship, return, and basically throughout the angles of mystics' view of existence and creation. In this article, through a descriptive-analytical method and based to Rumi's view on love, we have tried to re-read the scope of the idea of divine love in mysticism and Sufism, and to analyze the intellectual source of love in Jami's Masnavi and finally to examine the quality of reflection and the effect of the pattern and concept of love from Rumi's point of view in Jami's Masnavi. The results of this study show that one of the keys to understanding the mystical views of Abdul Rahman Jami is to pay attention to the meaning and concept of love and discover the source of his views on divine love. The study of Haft Aurang shows that the basis of mystical views and thoughts reflected in the poems of Abdul Rahman Jami is a combination of the views of earlier mystics, including Jalaluddin Rumi, which were influential in his works, especially in the Masnavi of the Selselat-o-lzahab.
