Ahmad Vafaei Basir,
Volume 6, Issue 21 (ERFANIYAT Dar Adabe Farsi Quarterly 2015)
Abstract
This article with the title “originality of poems and quatrains alleged to Abusaied Abolkheyr” is described, criticized and studied researchers’ opinions about poems and quatrains of Abusaied Abolkheyr. At first, the author has brought Mohammad Monavar reasons in rejecting Abusaieds poem-saying, by Dr. Shafiei Kadkanis descriptions and then he has brought Saeid Nafisis reasons about Abusaeid s composing poem, after that he has mentioned criticisms of Dr.Shafiei Kadkani about Saeid Nafisi s reasons that theses criticism are generally correct but there are some exceptions too. In continue, the author has mentioned his reason about Abusaeid s poem –saying. This article in some cases put two texts in contrast ( i.e. two books : Asrarotohid and Biography of Abusaeid by Aburooj, and whole of old manuscripts of the book: Mersadolebad, which affirmed composing of one another quatrain from Abusaeid except the quatrain that Mohammad Ebn Monavar has mentioned in Asrarotohid. The Method of this research is descriptive – libertarian; and the author is confirmed the bases of his reasoning referencing to the creditable resourcse.
Fatemeh Yavari, Abbas Ali Vafaei,
Volume 8, Issue 31 (9-2017)
Abstract
Art and literature are the most important evidence of human‟s civilization and culture that have unbreakable bond with deep layers of unconsciousness. Archetypes base on Jung‟s theory are the images, patterns and symbols that rise out of the collective unconscious and have left the similar and common concepts in human‟s unconscious in myths and cultures over the time. In Golshane Raz, the archetypes rise out of the collective unconscious. The archetypes in the Islamic theosophy is the standing property. The archetype in this ancient couplet-poems (Mathnavi) is interpreted as the archetypes: sun, sea (water), fire, mirror and journey. Jung's archetype in Islamic mysticism, permanent archetype is called. The concrete and abstract ideas in Golshane Raz is originated of Qurans and hadiths. Analyzing the mystical symbols was an opportunity that the gnostic poet manifests his education treasure. In Golshane Raz in addition to the key role of symbols, the salient portion of deviation and defamiliarization is effective in more highlighting the verses. In some couplet-poems, the symbols are replaced with the reality. The similarity of eastern and western symbols in concepts are ambiguous. The gnostic points to some part of reality with paraphrase and interpretation in this couplet-poem(Mathnavi).
