Showing 5 results for Theosophy
Sareh Yazdanfar,
Volume 3, Issue 11 (6-2012)
Abstract
Theosophy is a deep sense of God in humble person inside and submitting to Him and adoration to Him heartedly.
Sanaei and Molavi are of the greatest theosophists and fascinated by the devine love. Sanaei is the father of theosophical literature in Persian poem that for the first time has compounded theosophical purports with slangy culture and allegorical tales and has presented most of the teachings of Sufism with a beautiful expressions and Molana is a lovelorn pious highborn, and humble person who was a slave of love and left his liberty and sang a pauper song for many years.
This paper is purposed to study the common terms of theosophy (including love, doom, perpetuity, inducement and attempt, manifestation, pantheism, scare and hope, observation and amour). In Sanaei’s Hadiqat-ol-haqiqeh and Aflaki’s Manaqeb-ol-Arefin.
Barat Mohammadi, Alireza Gorbanpor,
Volume 7, Issue 26 (4-2016)
Abstract
The two “Theosophy” and “Ashoraien” epopee (Atashkadeh nayyer tabrizi) and (Ganjineh alasrar Omman Samani ) are two master piece that their singers.With “Theosophy” mind (which is including a large number of Farsi literature and poem) is explained the “Ashora “event (that it itself is Shiite،religious learning's).
So، scrutiny and making clear of “Theosophy” ingredient which are used at these two costly works in “Ashoraien” literature district and explanation and analyzation their resemblances and differences for completing unique “Theosophy” _”Islamic” training in Farsi poem and literature and “Ashoraien “ culture has very particular importance.
The main goal in this essay is scrutiny and comparison “Theosophy” ingredient in the two “Ashoraien “ epopee of (Ganjineh Alasrar Omman Samani and Atashkadeh Nayyer Tbrizi) and in countinuance ، we try to achieve the superabundance of compilation of these two epopee which were studied and at the end we try to analysis the information with the method of analyzing contents.
Sonia Zare’e Bazghal’eh, Soghra Zare’e Bazghal’eh,
Volume 7, Issue 28 (10-2016)
Abstract
The wayfarer is required to observe rites in order to streamline the perfection path in practical theosophy. According to the fact that observing such rituals and rites have been verified and confirmed religiously, intellectually and empirically it is necessary to follow the rites in order to be able to reach the destination. Remembrance is among the rituals which has been recommended both in the holy Quran and the Sunna and tradition of the Islam Great Apostle (may god bless him with the best of the regards) and in the theosophical books, as well. in the present study, meanwhile briefly introducing the importance of the wayfaring rites in the practical theosophy it has been tried to make use of the theosophical books contexts to define and classify the conditions and the rituals pertaining to the remembrance rites based on a temporal chronological order and then we will deal with the utterances and the deeds and conducts recorded from the theosophists and the mysticism masters and finally the article proposes a historical analysis spanning over a period from the first to sevenths hegira century.
Amir Parsafar, Siavash Moradi,
Volume 9, Issue 34 (6-2018)
Abstract
Since poetry has become the medium for mysticism, an element of mystery has also been added to it. Shams Maghrebi, as one of the followers of Ibn Arabi's school of thought, has special mystical and monastic conceptions towards this aspect of poetry. Thus, he expresses grand mystical ideas symbolically and following his great mentor. One of the aspects of the symbolic language of mystical poetry as seen in the poems of Shams Maghrebi and other mystical poets, is the use of natural elements such as sea, rain, stream, etc. Such natural elements appear as symbols and mystical codes. Shams through a mystical approach has applicated symbolization and frequently has applied in the service of unitism and other related categorioes of it. The goal of this research is also recognizing natural symbols of Mqrebi poems which is subset of this field.
Ms Nillofar Shahrokhi, Zohreh Zarshenas,
Volume 10, Issue 39 (12-2019)
Abstract
In this article the first christian written literary theosophical works will be synoptically brought forward. To this end the writer first runs over the historical eras of Iranian languages. Then Sogdian language from the Eastern Middle Iranian languages category will be introduced as the first language in which christian works have been written. Lastly Nestorianism the prevailing school of christianity in Iran and a sample of its theosophical works along with its Persian translation will be represented.
