1 2008-7195 Islamic Azad University, Hamedan Branch 71 Special Unity of Attributes from the Points of Viewof Quran, Imam Reza and Sanaie nazari Mah Zakeri Ahmad 1 1 2015 6 21 11 32 25 06 2016 25 06 2016 Monotheism, only knowing God And the most important aspects of the divine prophets taught the Quran. Monotheism is the messenger of selected targets. He is the essence of the characters God. No attribute is the essence of perfection out there What ever the nature and characteristics comparable to him and not his creatures. The essence of the theory of object attributes, in the words of al-Ash'ari school and Mu'tazilah, the nature and attributes of God is based on oldImam Reza, knows. the Lord God, eternal, subsisting, world-wise, gentle, Bsyrv.In this paper, we attempt to divine Tvhydvsfat the Qur'an, the compliance perspective, but Reza and its reflection in Persian literature, with an emphasis on integrated thinking Sanayi examine.
72 Special Originality of poems and Quatrains alleged to Abusaied Abolkheyr Vafaei Basir Ahmad 1 1 2015 6 21 33 64 25 06 2016 25 06 2016 This article with the title “originality of poems and quatrains alleged to Abusaied Abolkheyr” is described, criticized and studied researchers’ opinions about poems and quatrains of Abusaied Abolkheyr. At first, the author has brought Mohammad Monavar reasons in rejecting Abusaieds poem-saying, by Dr. Shafiei Kadkanis descriptions and then he has brought Saeid Nafisis reasons about Abusaeid s composing poem, after that he has mentioned criticisms of Dr.Shafiei Kadkani about Saeid Nafisi s reasons that theses criticism are generally correct but there are some exceptions too. In continue, the author has mentioned his reason about Abusaeid s poem –saying. This article in some cases put two texts in contrast ( i.e. two books : Asrarotohid and Biography of Abusaeid by Aburooj, and  whole of old  manuscripts of the book: Mersadolebad, which affirmed composing of one another quatrain from Abusaeid  except  the quatrain that Mohammad Ebn Monavar has mentioned in Asrarotohid. The Method of this research is descriptive – libertarian; and the author is confirmed the bases of his reasoning referencing to the   creditable resourcse. 73 Special Manifestations of Mysticism in Tijani Yusef Bashir's poems BagherZadeh Jamsid Fouladvand Roushanak Nemati Faroogh 1 1 2015 6 21 65 90 25 06 2016 25 06 2016 Tijani yousef Bashir (1912-1937) was a big and modern contemporary poet of sudan. His only poetical works - Ashragheh- receive attention of literati and critics. Tijani poem is a complet mirror of his individual and social life. Because he has sufia tendencies and he belong to Tijanieyeh sect, Tijani’s poems were full of Sufism concepts. He used intuition and detection concepts in his poems repetitively. In his satirical poem, he talked about unity of existence, and related it only to God and knew creatures as God’s attributes manifestation. Sometime Tijani say shatah  (A maner in which sufia tell agitated speech and they are wander) as a Sufism style, because of wandering. He talked about metaphysical concepts such as soul, genii, death and wisdom in his poems. When we looked at his Ashragh poetical works page by page, this is obvious very well that Tijani as a person who knows the Koran by heart, used Koran verses in his poem. Because sudan was colonized by England and Tijani’s neighbors were Christian, so he believed to religion pluralism and he believed that all religions and their followers such as Christianity were pure. 74 Special Review and Analysis of the Sea and the Drop Icons in Rumi's Ghazaliyat Gheysari Heshmat mehrinejad Roghay 1 1 2015 6 21 91 112 25 06 2016 25 06 2016 Mystic language as a means of public communication outside And in terms of talent and potential and gives a new spiritual culture goes beyond the scope of their spiritual. Generally in the form of his poetry and mystery symbol appears: In terms of the structure of the poem, which in this context means the only words in their true cross used; For example, hair, lines, dots, drops, sea, and sometimes a little ode to symbolically express the truths and doctrines deals. Investigation shows that many of the poems of Rumi's poems are based on the use of symbols and codes And password and sign in the expression of concepts, doctrine and the more mystical poet's thoughts. Symbol sea contrasted with terms such as drip, flood, frost, waves, fish, nature and the meaning is different. Maulana symbols to explain the implications of this are numerous and varied as the relationship between Creator and creature, mortal, unity, love and creative expression, and you're not using. Most used words to express their thought and freedom from reaching the top and achieve true unity can be seen. 75 Special Share on category of " The soul food " in Mawlana's Mind and Language khadivar Hadi Sarrami Ghadamali Arabi Farshad 1 1 2015 6 21 113 140 25 06 2016 25 06 2016 Special study of "the soul food" in the learned persons' works, specifically Mawlana, despite the attraction of the matter, is an open space which has not been thoroughly considered by the group of knowledge seekers. Moreover, if researchers in the domain of literary knowledge and Mawlana interests have studied subjects close to the subject of this thesis, they have either had a brief look at Mawlana's ideas, or the scope of their research is only an angle of the topic located in the circle of "the soul food". "The soul food" comprises all necessary aspects of human beings' spiritual life. The result of our research in the scope of Mawlana's inheritance showed that in his opinion the man's actual food is intellectual learnings not worldly table-cloths. To sum up, he mentions the most important foods of soul as love, light, praise(to God), music, meeting of friend, sama'a(Sufis' dancing), silence, knowledge, associating with great people, and even Gnostic hunger and sorrow. So, by studying Mawlana's thought examples, we have tried to investigate his ideas, experiences and beliefs in his works which are relevant to the subject of soul food. We have also considered in different ways the manifestation of the mentioned features in Mawlana's mind and language.  76 Special Mystical Tolerance and Ash'ari's Theology Ebadi Jamil Saeid Nazari Najmeh 1 1 2015 6 21 141 154 25 06 2016 25 06 2016 Due to some elements, Ash’ari theology –which in comformity with Intuitive foundations of Sufism, is the domniant thelogical creed of this epistemic system- has provided an adequate basis of tolerance in Sufism. The tolerance that creats the most beautiful displays of alturism, and further, loving the existence; and loves the universe because that is copmletely from Him. The connection between tolerance and Ash’ari theology, sometimes forms directly, based on theoretical bases like Determination and the Free Will, the Will of God (the Current of Ādat-Allāh), the miracle, and the inability of reason; and sometimes appears in the guise of the outcomes of this theological system, which Pantheism (the Unity of Existence) is one of them. Finally, it may be said that most of somethig that one could mention as characteristics of alturism, should be probed in Ash’ari beliefs; which leaves the way of interpreting the symbolic words of Sufis and accepting the possibilty of different interpretaions open, and forms the bases of tolerance in Sufism. 77 Special The comparative study of “pantheism” from Molana's view and Opanishad's Sepahvandi Masood Soltani Kohbanani Hasan Yarahmadi Massomeh 1 1 2015 6 21 155 167 25 06 2016 25 06 2016 Pantheism is one of the important bases of Gnosticism that is always very controversial. According to this idea, God has the  highest  place  in the existence  of the world. In Islamic Gnosticism," pantheism "has a special place  among Gnostics.Molana, as a Gnostic poet, has a specific attention to pantheism, and in India Gnosticism, Opanishads paid special attention to pantheism too. Accoding to the book of  Opanishads, the whole  world is  related  to each other by God as an unseen Source.This essay tries to find and interpret the similarities between Molana's view of pantheism and Opanishad`s.   78 Special The study of vertical connection of verses in Hafiz's Ghazals pazhoohande Jasem Jaafari Sadeghi Ali 1 1 2015 6 21 168 187 25 06 2016 25 06 2016 One of the issues studied in the stylistics of Hafiz's poetry is the vertical imagery and as some experts in this field think is the lack of coherence among the verses of a Ghazal.  Hence, Hafiz has been considered as one who paved the way for the emergence of Indian style.      In this essay, by considering the essence of Hafiz's Divan, i. e. love and based on the associations, contents, and the extension of meaning emanated from it which disturbs and separates the connection of verses, it has been tried to clarify the centerism and new connection in these verses by the help of love. So, in addition to clarifying the hidden and internal connections, some other points and fine meanings will be gained.