“Naz” and “Niyaaz” is one of the common themes of Romantic and Mystical poems of Persian literature. In Romantic relationships whenever in one of two sides “Niyaaz” is felt, usually the other side tends to “Naz” and when one of them almost does not feel any need, the other one needs to move towards him or her. It should be said that such kind of relationships, which is based on “Naz” and “Niyaaz” in the romantic and mystical Persian literature, becomes essentially significant. In this article attempt has been made to analyze the quantity and quality of “Naz” and “Niyaaz” in romantic and Mystical style of Iraqi and Voghu's school relying on Sanaei, Hafiz and Vahshi’s ghazals.Moreover, the article defines “Naz” and “Niyaaz” and investigates its effects in Hafiz, Sannai and Vahshi’s ghazals.
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